Sonic cartography / ecoacoustics / field recording
A living archive for climate sound art, deep listening, responsive environments and the subtle languages of the more than human world.
Cartographer's log
Upcoming

A portrait series celebrating neurodivergent creatives for ADHD Awareness Month, created by Bright Island, featuring Ren among the sitters.
A new staging of the Spore Listening material as immersive installation: part_02, sound as vibration. Transducers and exciters turn the gallery's surfaces into speakers, so the recording is not only heard but felt through the body, as if standing inside the mycelium as the signal decays and the root network listens back.
Past
The sounds of a working mushroom farm: growing rooms humming, moisture in the air, substrate settling, and the barely there sound of fungus growing. A continuous 20 minute loop with no start or end, so you can step in at any moment and stay two minutes or twenty. Recorded through surfaces and into liquid, with contact mics on the substrate, a hydrophone in the water and an induction coil reading the machines, so we hear the farm from the inside. Listening through things rather than to them.
Experimental series / in progress
The sound of a dying cryosphere. An international collaboration with two Himalayan glaciologists, translating glacial melt research into sound: field recordings of meltwater, ice and high altitude change mapped to the measured data itself, so a worsening year is felt rather than read. Built to be heard through speakers and felt as vibration through the body, and returned to community as a listening exhibition and online sonic map across Thanet. Fieldwork in the Himalayas in 2027, with a listening exhibition touring Thanet venues later that year.
An evolving installation shaped by the atmosphere, with wind, temperature and rain as compositional forces.
Listening walks
Guided evening walks tuned to the calls of bats, listening to the more than human world after dark.
About
A living archive for climate sound art, deep listening, responsive environments and the subtle languages of the more than human world.
My work unfolds at the intersection of ecology, sound, and technology. An evolving practice of climate sound art shaped by experiments with field recordings, tactile audio, and responsive environments. Using an array of microphones to listen in detail to the nonhuman world, I explore how sound can be both a method of inquiry and a medium for connection.
I'm particularly drawn to how deep listening, embodied, and immersive sound can reframe our relationship with the more than human. Seaweed crackles, soil breathes, wind bends through branches, and decay whispers beneath our feet. By attuning to these subtle languages, ecological systems begin to reveal themselves not as abstractions or crises, but as living, entangled relationships we're already woven into.
This practice is also about creating space: shared environments where sound becomes a threshold for attunement and reflection. Through collective listening, I hope we can encounter not only the fragility of ecosystems but also our own place within them - and maybe even glimpse other ways of being together on this planet.
Location
Margate, Kent, UK
Practice
Sonic cartography / ecoacoustics / field recording / facilitated listening
Currently
Residency: Margate coastline, fungal networks
Background
Field archive











Contact
For commissions, collaborations, residency enquiries or listening walks.